Simchat Torah: Dance Me to the End of Love
I remember the time when I carried the sefer Torah on some festive day in the Jewish calendar and I felt like David dancing before the Ark. My first experience of the deep love of Torah was on the face of a man who was cradling it to his cheek as he sat and held it on the bimah.
I see that love more in the faces of men. I hear the men who sing lustily at minyan, I notice the men who attend regularly, some so quietly, and the men who make a special effort to attend for a yahrzeit. I have known the passionate faces of the founders of this congregation and I have known some of their deaths. I see that love, also, in the faces of the gabbaim (sextons) who, business-like, bop on up to the bimah for Torah readings, and in the face of the men, constant and true in service, who hand out aliyot (honours), though some women do it, too.
I have recently seen men who have embraced a male convert and stayed with him and nurtured and mentored him throughout the cycle of Jewish days. I have also known male converts who went Orthodox because they were not embraced and mentored. Men provide the fun in Purim shenanigans, they build the sukkah, whip out the Torah seferim on Simchat Torah for the rest of us to hold and raise and spin. They barbecue, and make drinks to increase our joy. Even in this egalitarian, Conservative shul, it is the men who sustain the heart of religious devotion- and joy.
Women wander in and wander out. They quietly sustain us with food at kiddushim and onegs (celebratory meals), make all of our simchas truly abundant, and our beings replete, support the bowed and the stricken, without a face, and without fanfare. They provide scholarships. I have not seen a single woman from the group ever mentor a convert. I have never seen a female convert embraced and nurtured and mentored in temple by the women. If you are a woman you can serve and you can be domestic, but there are almost no women to mentor you intellectually or ritually or halachically unless it is domestic. Few women dance with the Torah. Few women shake the lulav. Few women (make that 1 or 2) wear tefillin. I have served behind the table. But I have also danced with the Torah.
Most of what I have known or learned has been from the faces of men. In Israel, men prayed together at the Kotel (Western Wall). Women prayed separately, reciting the Psalms or whatever. How passionate those women were! How intense and focussed! But, still, isolated unto themselves, apart. I think it must be my fault for not noticing the women. Some of them also sit together at services but they are more likely to ask you to serve at an oneg than lead prayers.
Having said all that, have I missed their faces? Do the women cradle the sefer Torah to themselves in other ways? My experience hasn't been terribly enlightening in that area. I think I must be missing something.
Tomorrow evening, erev (eve of) Simchat Torah, I so look forward to grabbing a gorgeous Torah scroll and parading it up and down for smiling faces to touch and to kiss, and dancing away. Oddly, I carry with me the faces of all the men I have seen dance with utter joy and utter embrace. I am waiting for the faces of many women. The public face, the public expression matters deeply; I long to see the connection. Because as far as I know, Simchat Torah describes the faces of all the true dancers I have known who would never dare say it even to their wives (and, sometimes, their husbands), yet somehow can express it all to G-d :Dance me to your beauty with a burning violin
Dance me through the panic 'til I'm gathered safely in
Lift me like an olive branch and be my homeward dove
Dance me to the end of love
Dance me to the end of love
~Leonard Cohen
15 Comments:
Absolutely lyrical...as always :) Your writing is poetic...I love it. Last night I got to carry a scroll although as heavy as it was, I cannot say I was dancing :)
Here in NYC lots of women do all those things, also back in Austin where I used to live. But I also feel the same warmth and joy from the men, it's one of the things I love aobut Jewish men.
Also, since you are a Leonard Cohen fan you might appreciate this: the minyan where I celebrated Simchat Torah today, the guy leading hallel used the tune for Leonard Cohen's "Hallelujah" for Psalm 113. It fits pretty well.
I hope you were able to grab that scroll last night and dance with all your heart and soul!
--aa.
Lovely, as usual. I only wish that ST had any joy left in it for me. This year was a misery of discomfort and unbelonging that I'm too upset to even process anywhere yet. Part of an overall spiritual malaise that runs deeper than any one chag, I'm afraid. Oh, hey, look at that...an emotional blogdump. Oops. Sorry.
Non-chag sameach.
The song you quoted was actually written about the Terezensdat Camp during the holocaust.
This is a quote from a Leonard Cohen interview.
"Dance Me To The End Of Love" ... it's curious how songs begin because the origin of the song, every song, has a kind of grain or seed that somebody hands you or the world hands you and that's why the process is so mysterious about writing a song. But that came from just hearing or reading or knowing that in the death camps, beside the crematoria, in certain of the death camps, a string quartet was pressed into performance while this horror was going on, those were the people whose fate was this horror also. And they would be playing classical music while their fellow prisoners were being killed and burnt. So, that music, "Dance me to your beauty with a burning violin," meaning the beauty there of being the consummation of life, the end of this existence and of the passionate element in that consummation. But, it is the same language that we use for surrender to the beloved, so that the song -- it's not important that anybody knows the genesis of it, because if the language comes from that passionate resource, it will be able to embrace all passionate activity."
I was extremely moved by this post. I deeply admire the way you weave your observations, thoughts, and feelings on this massively important subject, but without the bitterness that is understandably and often involved.
It seems to me that, while some women may be quite content to remain in the quieter places, others -- who may superficially appear the same -- are more restive, awaiting the warmth of another woman's mentoring. And there is little of that mentoring because there is not (yet) a tradition of it. May it soon grow and begin to ripen, with its own uniqueness and depth.
I owe you an email. You are forewarned. ;)
Absolutely stunning and beautiful post. The words by Leonard Cohen make it even that much more meaningful.
Simcha Torah is one of if not my favorite Holiday.
Couldn't help noticing you put La Belle et la Bete as one of your favorite movies.
May I ask to which version you're referring?
Cocteau's. Is there any other? :)
How sad that simchas torah is a full year away!
Carl,
You took the words right out of my mouth! Yes, there is no tradition, yet. That really turns out to be the gist of what I was saying, on one level. And yes, you were so correct in your observations!
Judith,
A lot of what I've learned, I've learned from Jewish men. I am crazy about Jewish men. They are so different from the world of men I have known.
ittay,
Thanks for the sombre background on the lyrics. I'm glad I did not know this when I posted them. The mark of a good poet is that his words have a universal meaning.
Everyone else, thank you! I guess in a sense, this was also a love note to (some) Jewish men. They have been a revelation.
That sounds so wonderful. Thanks for posting that.
I had to come back and read this post today because last night I danced with the Torah for the first time. It was bliss, even though the scroll was as heavy in my arms as one of my children.
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